A Night Like This (Smythe-Smith Quartet, Book 2) by Julia Quinn

By Julia Quinn

Nora Roberts calls Julia Quinn’s novels, “Delightful.” the number one New York occasions bestselling author of the impossible to resist Bridgerton relations, Quinn deals old romance readers new delights with A evening Like This—the moment e-book (following the exceptional Just Like Heaven) to add the affairs, romantic and melodic, of the endearing, if painfully untalented, Smythe-Smith musicians. On A evening Like This in Regency England, whatever can ensue, in particular while a stunning pianist sitting in on the annual Smythe-Smith musicale catches the attention of a haunted, hunted guy in determined desire of redemption. there's easily no writer within the realm of historic romance fiction warmer than the awesome Julia Quinn—and someone who has ever been swept away through the affection tales of Amanda fast, Lisa Kleypas, or Jill Barnett will cherish A evening Like This.

Show description

Read or Download A Night Like This (Smythe-Smith Quartet, Book 2) PDF

Best historical romance books

Her Reluctant Groom (The Grooms, Book 2)

Marcus Sinclair, 16th Earl of Sinclair, has lived the final 13 years as a recluse following an coincidence that left him seriously scarred. although a recluse, Marcus has nonetheless controlled to fall in love. the matter? the lady he's thinking about is none except the sister of the girl he used to be betrothed to!

Only With Your Love (Vallerands, Book 2)

Celia Vallerand fears for her lifestyles as she stares into the deep, arresting eyes of the rushing guy who bought her from the brigands who had kidnapped her. however it quickly turns into transparent that it's her advantage, now not her lifestyles, that's at risk. The rugged, strong renegade identified simply as "Griffin" arouses wishes in Celia as harmful as they're forbidden.

A Proper Companion (Regency Rakes, Book 1)

"Fans of the normal Regency Romances of Georgette Heyer will take pleasure in this witty romance from ny occasions bestselling writer Candice Hern. Robert, Lord Bradleigh, is a rakish earl with a lately prepared betrothal to a stunning younger girl he slightly is aware. Emily Townsend is an impoverished spinster hired as a spouse to his grandmother, the bold dowager countess.

What Happened at Midnight

"When John Mason discovers that his fiancée's father has embezzled millions of kilos from their mutual company, he's livid. while his betrothed, pass over Mary Chartley, flees, taking the money and all of the facts along with her, he's outraged. He plans to convey the lady he as soon as enjoyed to account--and he’ll shed no tears while he does.

Additional resources for A Night Like This (Smythe-Smith Quartet, Book 2)

Example text

Men. Epitr. 303–305. See also Arist. Phgn. 806a15 where ‘γνωρίσματα’ are the signs through which we can identify a certain state of someone’s soul and body. See Hurst 1990; see also Scafuro 1997, pp. 156–162. degrees of understanding 27 Πελίαν τ’ ἐκείνους εὗρε πρεσβύτης ἀνὴρ αἰπόλος, ἔχων οἵαν ἐγὼ νῦν διφθέραν, ὡς δ’ ἤισθετ’ αὐτοὺς ὄντας αὑτοῦ κρείττονας, λέγει τὸ πρᾶγμ’, ὡς εὗρεν, ὡς ἀνείλετο. ἔδωκε δ’ αὐτοῖς πηρίδιον γνωρισμάτων, ἐξ οὗ μαθόντες πάντα τὰ καθ’ αὑτοὺς σαφῶς ἐγένοντο βασιλεῖς οἱ τότ’ ὄντες αἰπόλοι.

9. See also Gutzwiller 2000, p. 133 for a more general treatment of this topic. For further reflections on this arbitration scene and Smikrines’ character in Epitrepontes see Iversen 1998, especially pp. 121–153. Men. Epitr. 366–369. 28 chapter 2 anticipate consequences that the author will frustrate in the short term15 and to focus the audience’s attention on tokens of recognition that, at this moment, are not bringing about the recognition they are meant to enable. In the second scene of Act Two, we are once again close to the discovery of the identity of the foundling.

Poet. 5, 1449a32–37. For a recent and more detailed discussion of the shameful in comedy see Munteanu 2011(a), chapter 4. In this respect, Menander’s comedy can be classified as falling within Northrop Frye’s fourth kind of fictional mode: “If superior neither to other men nor to his environment, the hero is one of us: we respond to a sense of his common humanity, and demand from the poet the same canons of probability that we find in our own experience. This gives us the hero of the low mimetic mode, of most comedy and of realistic fiction” (Frye 1957, p.

Download PDF sample

Rated 4.39 of 5 – based on 33 votes